He was venerated during the Romantic era and was considered a forerunner of the Romantic movement from that point he was regarded as one of the greatest figures in art history. Certain artists in 18th-century Germany and Venice even adopted his style. Nevertheless, his international reputation among connoisseurs and collectors only continued to rise. It is true that by the end of his life his realism had been supplanted by Classicism and had become unfashionable in Holland. His unusual etchings brought him international fame during his lifetime, and his drawings, which in fact were done as practice exercises or as studies for other works, were also collected by contemporary art lovers.Īccording to the myth that evolved after his death, Rembrandt died poor and misunderstood. Rembrandt quickly achieved renown among Dutch art lovers and an art-buying public for his history paintings and etchings, as well as his portraits and self-portraits. These changes are not the result of an involuntary evolution rather they should be seen as documenting a conscious search in pictorial and narrative respects, sometimes in discussion, as it were, with his great predecessors. The painting known as Night Watch (1640/42) was clearly a turning point in his stylistic development. His approach to composition and his rendering of space and light-like his handling of contour, form, and colour, his brushwork, and (in his drawings and etchings) his treatment of line and tone-are subject to gradual (or sometimes abrupt) transformation, even within a single work. Seen over his whole career, the changes in Rembrandt’s style are remarkable. The core of Rembrandt’s oeuvre, however, consists of biblical and-to a much lesser extent-historical, mythological, and allegorical “history pieces,” all of which he painted, etched, or sketched in pen and ink or chalk. Roughly one-tenth of his painted and etched oeuvre consists of studies of his own face as well as more-formal self-portraits, a fact that has led to much speculation. Although he continued to paint-and etch and, occasionally, draw-portraits throughout his career, he did so less frequently over time. Rembrandt is also known as a painter of light and shade and as an artist who favoured an uncompromising realism that would lead some critics to claim that he preferred ugliness to beauty.Įarly in his career and for some time, Rembrandt painted mainly portraits. Rembrandt, in full Rembrandt Harmenszoon van Rijn, Rembrandt originally spelled Rembrant, (born July 15, 1606, Leiden, Netherlands-died October 4, 1669, Amsterdam), Dutch Baroque painter and printmaker, one of the greatest storytellers in the history of art, possessing an exceptional ability to render people in their various moods and dramatic guises. SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!.Learn about the major environmental problems facing our planet and what can be done about them! Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Britannica Beyond We’ve created a new place where questions are at the center of learning. 100 Women Britannica celebrates the centennial of the Nineteenth Amendment, highlighting suffragists and history-making politicians.COVID-19 Portal While this global health crisis continues to evolve, it can be useful to look to past pandemics to better understand how to respond today.Student Portal Britannica is the ultimate student resource for key school subjects like history, government, literature, and more.Demystified Videos In Demystified, Britannica has all the answers to your burning questions.This Time in History In these videos, find out what happened this month (or any month!) in history.#WTFact Videos In #WTFact Britannica shares some of the most bizarre facts we can find.Britannica Classics Check out these retro videos from Encyclopedia Britannica’s archives.
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